তহবিল সংগ্রহ ১৫ সেপ্টেম্বর 2024 – ১লা অক্টোবর 2024 তহবিল সংগ্রহের বিষয়ে

Using Visual Evidence

Main
Reference - Writing
Using Visual Evidence

Using Visual Evidence

Robert W. Matson, Richard Howells

0 / 0

এই বইটি আপনার কতটা পছন্দ?

ফাইলের মান কিরকম?

মান নির্ণয়ের জন্য বইটি ডাউনলোড করুন

ডাউনলোড করা ফাইলগুলির মান কিরকম?

ক্যাটাগোরিগুলো:

Reference - Writing

সাল:

2009

প্রকাশক:

Maidenhead

ভাষা:

english

ISBN 10:

033522864X

ISBN 13:

9780335228645

ফাইল:

PDF, 5.07 MB

IPFS:

,

english, 2009

অনলাইনে পড়া

তে রূপান্তর প্রক্রিয়া চলছে

-এ রূপান্তর ব্যর্থ হয়েছে

আপনি আগ্রহী হতে পারেন

David Bate — Photography: The Key Concepts

Gregg Mitman && Kelley Wilder — Documenting the World: Film, Photography, and the Scientific Record

Joshua; Malitsky — Post-Revolution Nonfiction Film

Malitsky, Joshua; — Post-Revolution Nonfiction Film

Saltzman, Lisa — Daguerreotypes

Kahana, Jonathan;Musser, Charles — The documentary film reader: history, theory, criticism

Jonathan Kahana — The Documentary Film Reader: History, Theory, Criticism

Gregg Mitman, Kelley Wilder (eds.) — Documenting the World: Film, Photography, and the Scientific Record

Gregg Mitman;Kelley Wilder;; Kelley Wilder — Documenting the World

Saltzman, Lisa — Daguerreotypes : fugitive subjects, contemporary objects

Lisa Saltzman — Daguerreotypes: Fugitive Subjects, Contemporary Objects

Joshua Malitsky — Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations

Malitsky, Joshua — Post-revolution nonfiction film : building the Soviet and Cuban nations

Patrice Petro — Fugitive Images: From Photography to Video (Theories of Contempo)

Sarah Barber, Corinna M. Peniston-Bird (eds) — History Beyond the Text : A Student's Guide to Approaching Alternative Sources

Holly Rogers — Music and Sound in Documentary Film

Ian Aitken — Encyclopedia of the Documentary Film 3-Volume Set

Paul Smith — The Historian and Film

Carl R. Plantinga — Rhetoric and Representation in Nonfiction Film

Paul Martin Lester — Visual communication images with messages

Mark Moss — Toward the Visualization of History: The Past as Image

Thomas Waugh — "Show Us Life": Toward a History and Aesthetics of the Committed Documentary

Karen Beckman, Jean Ma — Still Moving: Between Cinema and Photography

Julian Stallabrass — Documentary

Bate, David — Photography: The Key Concepts

Sarah Barber & Corinna M. Peniston-Bird — History Beyond the Text

Ross Melnick, Mark Garrett Cooper, Jennifer Lynn Peterson, Mark Williams, Levavy, Sara Beth — Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive

Ichiro Takayoshi — American Writers and the Approach of World War II, 1935–1941

Mahadevan, Sudhir — A very old machine: the many origins of the cinema in India, 1840-1930

Patricia M. Keller — Ghostly Landscapes: Film, Photography, and the Aesthetics of Haunting in Contemporary Spanish Culture

Keller, Patricia M.;Saura, Carlos — Ghostly landscapes: film, photography, and the aesthetics of haunting in contemporary Spanish culture

Sam Edwards; Michael Dolski; Faye Sayer (editors) — Histories on Screen: The Past and Present in Anglo-American Cinema and Television

Libby Saxton — No Power Without an Image: Icons Between Photography and Film

Libby Saxton — No Power Without an Image: Icons Between Photography and Film

Nichola Dobson, Annabelle Honess Roe, Amy Ratelle, Caroline Ruddell — The Animation Studies Reader

প্রায়শই ব্যবহৃত পরিভাষা